Well lit bedroom with protagonist waking up in bed. Contemporary room, no mess.
Outdoor light is visible.
Sound of bedsheets moving whilst protagonist gets up. Minimal sound, no music.
He sits up on the bed and checks his phone. Smiles at it. Close up shot of phone which previews the text message. We see both the message and his facial expression afterwards.
He then gets up to go to the bathroom, to shower. The camera follows him. Sound of water flowing in bathroom, steam starts to build up. We see him through the glass steam of the shower.
Protagonist then finishes his shower and walks towards the wardrobe in order to dress up.
We see details of each garment. From inside wardrobe looking out towards him.
As he puts on his cufflinks we see scar on his palm. We then go through a flashback of him getting stabbed in the hand when he was involved in an altercation. We then see his facial expression as he looks at it and shakes it off as a memory.
Expensive watch on the table. Camerawork key, the background needs to be blurred whilst the watch in focus. When he picks it up, the focus shifts.
As he puts on his socks and shoes, we see another scar on his ankle. The flashback appears again of him being chases and falls on barbered wire. We see his expression as he touches it lightly.
He gets up and snatches the keys to an expensive car and a designer wallet off the table. He grabs his brief case near the door, looks back at the room then exits towards the elevators.
He calls for the elevator and waits patiently. The elevator arrives and he steps in looking pleased with himself. He looks at the numbers going down in the elevator and smiles and laughs to himself, thinking of a past memory.
He arrives at the ground floor, exits the elevator and walks out.
EXT. LONDON. APARTMENT.
He arrives at his car, gets in, drives off and arrives at his workplace.
INT. WORKPLACE BUILDING.
He enters the building and goes to his office where his phone immediately vibrates. He checks his phone, it is a repeat of the message that he got this morning from his wife.
He swipes away. His phone vibrates again – the same message appears. He sighs and goes into his alarms where we see several fake messages that have timers on them.
He takes off repeat and sits back in his chair smug.
His phone vibrates again. He rages. He looks at his phone in shock, grabs his briefcase and runs out of the office.
EXT. OUTSIDE WORKPLACE BUILDING.
He gets out of the building looks left and right then enters an alley way.
He dials the number but before he can press ring the sound of someone shouting ‘OI’ in a harsh, deep tone of voice is heard.
There is a close up of the protagonists face in shock.
He turns round and sees a roadman, dressed in all black and with his hood up holding a screwdriver in his palm.
The protagonist is expressionless for a second and the roadman continues to have a look of anger across his face.
The protagonist smiles subtly and laughs; the roadman bursts out laughing and comes towards him. They both hug each other like brothers.
Roadman: “Have you got it then?”
The protagonist doesn’t say anything and kneels on the floor in the alley way. He unlatches the briefcase slowly. He opens the briefcase but we do not see what’s inside.
Jamie
Pass the screwdriver?
The roadman passes him the screwdriver and we see the two fiddling around with the briefcase from the point of view of inside the briefcase. We hear an unlocking sound and the two look at each other in extreme exultation, smiling and laughing like they’ve finally cracked the code.
FIN
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